This past year, American Poetry Review has been running a series of interesting essays by poet Doreen Gildroy titled “Poetry and Mysticism.” I’ve been enjoying the series, and I’m particularly struck by an idea Gildroy includes in the third installment, in the May/June 2011 issue, which I’ve finally had a chance to read.
In this segment, Gildroy addresses, among other subjects, the idea that myths are vestigial visions: stories created to preserve some glimmers of a revelation, a moment of seeing and expanded understanding. Gildroy asserts that the storyteller seeks out not just the story, but more importantly the storytelling state. The story is a by-product, and thus potentially useful as a sign of the storyteller’s vision–a map of a visionary experience. She quotes painter Robert Henri, author of The Art Spirit: “If one could but recall his vision by some sort of sign. It was in this hope that the arts were invented.”
What a bold and tantalizing theory! Robert Henri’s assertion that the arts in general were invented to preserve experiences of transcendence goes even further than Doreen Gildroy’s linking of mythological narratives to such experiences. I wonder whether these ideas are echoed by scholars in related fields (mythology, cultural anthropology, depth-psychology, archaeology, etc.). Have any of you run across these ideas before? I’m curious to see what else may be out there along these lines.